Israel’s Assault on Gaza

In the days since Hamas’s violent rampage through southern Israel, one word that keeps popping up is “unprovoked.”

A Biden administration official condemned “the unprovoked attacks by Hamas terrorists against Israeli civilians,” while Mike Pence urged every American to “condemn the unprovoked and massive attack on Israel by terrorists in Hamas.” Writers in Time magazine describe “an unprecedented and unprovoked attack by land, sea, and air,” while an article in Foreign Affairs references an “unprovoked, heinous attack on Israelis.”

Outrage and moral revulsion are understandable. After all, though people under occupation have a legal right to take up arms against their occupiers, the methods they employ must follow international humanitarian law, in particular the principle of non-combatant immunity. Hamas’s actions unambiguously violate that principle.

But unprovoked? Really?

Israel’s army has been escalating its operations in the West Bank all year as part of its ongoing violent occupation of Palestinian land. This occupation breaches numerous UN resolutions, while Israeli settlements crisscrossing the West Bank contravene the Fourth Geneva Convention. According to several international human rights organizations, Israel’s policies in the occupied territories, as well as within its own borders, meet the definition of apartheid.

In the Gaza Strip, Hamas’s de facto seat of government, Israel and Egypt together impose a harsh economic blockade, with severe humanitarian consequences for the population of more than 2 million. The majority of Gazans live in poverty, while power outages are frequent and childhood malnutrition is widespread. Israel, despite having ostensibly withdrawn from the enclave in 2005, continues to exert such control that the UN and most national governments still regard it as the occupying power.

Notwithstanding the aberrant carnage of Hamas’s offensive, the balance of strength overwhelmingly favours Israel, which now bombards civilian areas in indiscriminate retaliation. Prime minister Benjamin Netanyahu told Gazans to “leave now” without offering them a means to do so. Defence minister Yoav Gallant, in an unequivocal war crime, cut off access to food and water, while casually using dehumanizing, pre-genocidal language (i.e. “human animals”). One Israeli official predicted that “Gaza will eventually turn into a city of tents. There will be no buildings,” while another said, “the emphasis is on damage and not on accuracy.” The military ordered those in the north to evacuate to the south, then launched an airstrike against a civilian convoy complying with the order. Credible reports have emerged of Israel using white phosphorous munitions.

None of this excuses the slaughter of Israeli civilians, either legally or morally, but it does help to contextualize recent events. No analysis of the situation is complete without acknowledging root causes and power imbalances. Disturbing though the images of Hamas fighters plastered across the internet might be, this is quite simply what oppressed people do. They lash out against their oppressors (or proxies for their oppressors), often violently. We can — and should — condemn the lashing out when it flouts international law and basic morality, but all our heartfelt condemnations amount to so much piss in the wind unless we simultaneously challenge the conditions rendering such violence practically inevitable.

In other words, we must stand against the occupation of Palestine and the blockade of Gaza. We must press for equality for Palestinian citizens of Israel and support the right of return for refugees. We must demand an immediate ceasefire and an international arms embargo, as well as full accountability for all war crimes.

In today’s climate, some of these calls will be perceived as unpopular. This chill could well persist for years. Pro-Palestinian demonstrations are already being banned in France and Germany. But we must continue to speak truth to power. We cannot allow the perverse logic of nationalist hysteria to extinguish all vestiges of common sense morality.

Palestine deserves to be free, no less now than a week ago. People everywhere deserve to live in peace.

Top 10 Films of 2022

February, I suppose, is a bit late for a “Best of the Year” list.

To make it through every single must-see movie in a timely fashion is no small task. Indeed, there are some I may never get around to (I’m looking at you, Maverick). But with the 95th Academy Awards ceremony still but a twinkle in Jimmy Kimmel’s illustrious beard, I thought I would try and get this rundown of personal faves in just under the wire.

Thus I present, O glorious interweb, my definitive picks for the 10 best films of 2022:

10. The Banshees of Inisherin

Written and directed by Martin McDonagh

Beautifully shot and expertly acted, this allegorical film about a bromance gone sour in 1920s Ireland showcases Martin McDonagh’s skill at eliciting uncomfortable giggles.

9. I Like Movies

Written and directed by Chandler Levack

This coming-of-age Canadian dramedy, set in early 2000s Burlington, Ontario, concerns a socially awkward teenage cinephile who scores his dream job working in a video rental store, all the while getting to know his co-workers and alienating his friends and family.

8. She Said

Written by Rebecca Lenkiewicz, directed by Maria Schrader

Despite being well publicized and decently reviewed, this movie feels like it hasn’t gotten as much love as it deserves. In fact, it is one of the better films about investigative reporting. Intelligently paced and emotionally gripping, it tells the true story of two journalists who expose Harvey Weinstein’s sexual abuse crimes, helping to spark the #MeToo movement.

7. Good Luck to You, Leo Grande

Written by Katy Brand, directed by Sophie Hyde

The incomparable Emma Thompson plays a middle-aged widow who hires a sex worker in hopes of achieving her first ever orgasm. Given this premise, one expects plenty of graphic imagery — and one is not disappointed — but the real highlight is the dialogue: funny, nuanced, empathetic, and sex-positive.

6. Cha Cha Real Smooth

Written and directed by Cooper Raiff

As with his previous film Shithouse, actor-writer-director Cooper Raiff demonstrates his unique facility for creating sympathetic and believable characters. Here he plays a dejected college grad who meets a young mother while working as a party starter for a string of bar and bat mitzvahs.

5. On the Count of Three

Written by Ari Katcher and Ryan Welch, directed by Jerrod Carmichael

This one’s a bit of a cheat. Though technically released at film festivals in 2021, it did not see wide release until 2022.

Not for the faint of heart, this darkest of dark comedies tells the story of two longtime friends who make a pact to commit suicide together, then spend the day settling old scores. By all rights, this should be a star-making turn for stand-up comedian Jerrod Carmichael, who both directs and acts in the film. Christopher Abbott’s performance will no doubt surprise those who primarily know him for his role in Girls.

4. Guillermo del Toro’s Pinocchio

Screenplay by Guillermo del Toro and Patrick McHale, story by Guillermo del Toro and Matthew Robbins, directed by Guillermo del Toro and Mark Gustafson

Make no mistake: this ain’t no Disney flick. Rough and creaky, naturalistic and opinionated, Guillermo del Toro’s stop-motion retelling of the classic fairy tale about a puppet come to life embodies the auteur’s anti-fascist ethos, glorifying disobedience.

3. Beyond the Infinite Two Minutes

Written by Makoto Ueda, directed by Junta Yamaguchi

Another cheat … this film was theatrically released in Japan in 2020, then released at film festivals internationally in 2021. However, it did not receive digital release in North America until 2022, so I’m including it on this list. (I never claimed to be a stickler for the rules.)

A low-budget sci-fi comedy edited to appear as if shot in a one long take, this film imagines a time discontinuity that causes a computer monitor in a cafe owner’s apartment to display his business down below two minutes in the future. Meanwhile, the television in the cafe shows the apartment two minutes in the past. The owner and his friends experiment by placing the two screens face-to-face, producing a Droste effect, an infinite regress in which each link in the chain of images delves farther and farther into the past or future: four minutes, six minutes, eight minutes, etc. Hijinks ensue.

2. Triangle of Sadness

Written and directed by Ruben Östlund

One gets the impression that in his latest outing, as with previous works Force Majeure and The Square, Swedish filmmaker Ruben Östlund is not interested in taking firm positions on the issues so much as discovering loose threads and pulling unrelentingly. In this case, the unravelling takes the form of a satire of class and gender in which the privileged meet disaster on a luxury superyacht and must contend with a poetically unhinged reversal of fortunes.

Personal note: I attended a packed screening of this movie at VIFF and have never in my life heard such uproarious laughter from an audience.

1. Everything Everywhere All at Once

Written and directed by Daniel Kwan and Daniel Scheinert

What can I say about this film that has not been said already? It is a fast-paced, overwhelming, absurdist mash-up of genres, yet out of the chaos emerges a wholesome message centred on the value of kindness. Yes, the world is meaningless, the filmmakers tell us, but we need not give in to nihilism. Rather, we may construct our own meaning, using empathy as our guide. In lesser hands, this moral would come across as trite and sentimental, but the Daniels couch this feel-good core in layers of unapologetic weirdness. They lull viewers into expecting a mind-bending, dimension-hopping sci-fi romp, then hit us with something truly profound.

So what is it about? Michelle Yeoh plays a Chinese-American immigrant, struggling with family strife and a failing business, whose eyes become opened to the infinite possibilities of the multiverse. But the plot is almost beside the point. What shines in this movie is its execution. From the writing to the acting to the directing, all the way through to the editing and the sound design, Everything Everywhere All at Once is a flawless and exhilarating modern masterpiece.

*

Honourable Mentions: Armageddon Time, Bros, Causeway, The Fallout, I’m Totally Fine, Nope, Tár, Turning Red, The Unbearable Weight of Massive Talent, The Whale

2022 Vancouver Municipal Election Endorsements

I suppose I’ve been putting this off long enough.

If you would like to know how I plan to vote in tomorrow’s Vancouver municipal elections, read on …

Mayor:

  • 51. Kennedy Stewart (Forward Together)

City Council:

  • 101. Breen Ouellette (COPE)
  • 105. Tesicca Truong 張慈櫻 Trương Từ Anh (Forward Together)
  • 107. Nancy Trigueros (COPE)
  • 112. Iona Bonamis 陶思穎 (OneCity)
  • 118. Tanya Webking (COPE)
  • 125. Matthew Norris (OneCity)
  • 128. Devyani Singh (Green)
  • 136. Jean Swanson (COPE)
  • 139. Christine Boyle (OneCity)
  • 141. Stephanie Smith (Green)

Park Board:

  • 201. Gwen Giesbrecht (COPE)
  • 203. Tom Digby (Green)
  • 207. Chris Livingstone (COPE)
  • 209. Caitlin Stockwell (OneCity)
  • 213. Serena Jackson (OneCity)
  • 217. Maira Hassan (COPE)
  • 226. Tiyaltelut Kristen Rivers (OneCity)

School Board:

  • 304. Suzie Mah 馬陳小珠 (COPE)
  • 306. Aaron Leung (Vision Vancouver)
  • 307. Karina Zeidler (VOTE Socialist)
  • 310. Rocco Trigueros (COPE)
  • 318. Kyla Epstein (OneCity)
  • 320. Jennifer Reddy (OneCity)
  • 322. Gavin Somers (OneCity)
  • 323. Rory Brown (OneCity)
  • 329. Allan Wong 黃 偉 倫 (Vision Vancouver)

Capital Plan Borrowing Questions:

  • Yes to all three

My main priorities for the city, now as ever, are climate action and housing affordability. The parties that I believe most fulsomely embrace those priorities are COPE, OneCity, and the Greens. None of those parties are running mayoral candidates, so left-of-centre incumbent Kennedy Stewart would appear to be the obvious choice. I briefly considered voting for independent candidate Françoise Raunet as a protest against Stewart’s decision last year to torpedo a proposed Climate Emergency Parking Program. Raunet is running on a platform of localization and seems to have the right political values, but those values are sorely lacking in fine detail. Ultimately, it would be nice for me to be on the winning team for a change. I think Stewart probably deserves another kick at the can, especially in the face of persistent challenges from the many centre-right NPA variants.

I do not, however, buy Stewart’s claim that his newly formed vanity party Forward Together needs a majority on council to get things done. Yes, the current fragmented council seems at times to move at a glacial pace, but it has accomplished a fair amount in four years. The total number of housing approvals is up and the share that went to social and rental housing, as opposed to luxury condos, has increased as well. The Broadway Plan passed, as did the Vancouver Plan. There is plenty of room for improvement, but I do not think that insisting on one-party rule will get us there. The formation of Forward Together in an already crowded political landscape needlessly splits the progressive vote. That said, one of its council candidates, Tesicca Truong, is a smart and earnest climate activist and we could always use more of those.

OneCity’s Christine Boyle provides a principled voice on both housing and climate, and COPE councillor Jean Swanson’s singular focus on non-market housing has been inspiring. Both deserve to be joined on council by a few co-conspirators.

I wish I could vote for more Green candidates, but given the fractured nature of Vancouver’s party system, tough choices had to be made. I have decided to prioritize the party’s new council candidates — climate scientist and economist Devyani Singh and labour and social justice activist Stephanie Smith — over the three incumbents, as the former seem to hail from the party’s more progressive wing. For all the worthy positions the Greens have staked out over the last four years, I was disappointed to see Adriane Carr and Pete Fry vote against an effort to fast-track social housing in several neighbourhoods. While Fry offered a nuanced defence of his vote, it ultimately amounted to letting the perfect be the enemy of the good. In any case, the three incumbent Green councillors will likely top the polls and do not need my help getting re-elected.

On Parks, COPE, OneCity, and the Greens have plenty of fine candidates advocating for green space and active transportation.

On School Board, the Green record is decidedly less progressive than it should be. For that reason, I am reserving a couple of votes for the once-mighty Vision Vancouver, including one for long-time trustee Allan Wong, a candidate who cannot be defeated no matter how unelectable his party. I am also saving a spot on my ballot for VOTE Socialist’s Karina Zeidler, a family doctor running on a pledge to return universal masking to schools. I tend to believe that the time for mask mandates has come and gone, but I might change my tune in the event that a dangerous new variant emerges. Either way, Zeidler’s precautionary approach could be a useful one to have at the decision-making table.

National Post Letter

Electoral reform opponents are once again pulling out the old Israel canard. I’ve responded with a letter attempting to set the record straight in today’s National Post:

Electoral reform

Re: Think you want elect­oral reform? Kelly McPar­land, July 9

Accord­ing to Kelly McPar­land, “Israel has a pro­por­tional rep­res­ent­a­tion sys­tem of the type reform enthu­si­asts like to advoc­ate.”

In fact, Canada’s elect­oral reform sup­port­ers almost uni­ver­sally favour sys­tems like mixed-mem­ber pro­por­tional and single trans­fer­able vote. While these are forms of pro­por­tional repres­ent­a­tion — i.e. they pro­duce elec­tion res­ults that closely match the wishes of the electorate — they also pre­serve local rep­res­ent­a­tion and allow voters to choose indi­vidual candid­ates.

If elect­oral reform back­ers had their way, Canada would look less like Israel than like New Zealand, Ger­many or Ire­land.

David Taub Bancroft, Vancouver

National Post Letter

The old poli sci major in me could not allow John Ivison’s column to stand. Please see the letters section in today’s National Post for my response to the argument that it is somehow “illiberal” for governments to impel individuals to get vaccinated.

Re: Trudeau shows liberal principles have left the Liberal Party, John Ivison, Jan. 12

The essence of liberalism is not, as John Ivison claims, that “individuals should not be forced to conform to other people’s beliefs,” but rather John Stuart Mill’s harm principle: “the only purpose for which power can be rightfully exercised over any member of a civilized community, against his will, is to prevent harm to others.”

Choosing not to get vaccinated against a dangerous and highly transmissible virus puts the lives and safety of other people at risk. This places vaccination squarely within the rightful exercise of government authority.

We can agree or disagree on the specifics of any given policy, but let’s not muddy the terms of debate. For Justin Trudeau or anyone else to employ legislative power in favour of vaccination falls well within the parameters of Mill’s liberalism.

David Taub Bancroft, Vancouver

Requiem for a Fascist Clown

File:President Trump Postlaunch Remarks (NHQ202005300077).jpg

In a fitting end to four years of chaos, bigotry, and wilful aversion to the truth, Donald Trump is refusing to accept the results of the election that he lost, surprising no one. His campaign has filed lawsuits in multiple states, seeking to overturn, or at least forestall, Joe Biden’s victory. His surrogates proclaim massive voter fraud without offering any evidence. His supporters, some carrying assault rifles, flood the streets parroting his deluded talking points.

But despite the sound and the fury that accompany the soon-to-be-ex-president everywhere he goes, Biden’s victory is decisive. He is on track to win an absolute majority of ballots cast and appears to have flipped some once-reliably red states.

Democrats are flying high, having now won the popular vote in seven out of the last eight presidential elections. Indeed, from some vantage points, Republicans seem poised to enter a new age of darkness, left behind by an America that is becoming younger, more urban, more educated, and less white than ever. As I argued four years ago, the antiquated Electoral College might just be the Republican Party’s only remaining chance to game the system going forward. Yet even that funhouse mirror of an institution could start giving Democrats the edge if current demographic trends continue.

But while Democrats might be tempted to rest on their laurels, that would be a mistake. The “emerging Democratic majority” may yet prove to be a mirage. Biden is unlikely to make the country deliberately worse — a refreshing change of pace in today’s politics — but it is an open question whether things will get better under his leadership. He represents the kind of placid neoliberal centrism that has failed to deliver the goods for millions of Americans.

The status quo ante of 2016 was not some golden age. It was an era of unfettered capitalism and growing inequality, the instability of which threw a wrench in the works, disrupting “politics as usual” in the most malignant way possible. It is in this context that the ascendance of a buffoonish demagogue like Trump, skilled at manipulating populist anger, must be understood. To prevent the reemergence of Trumpism in its next more refined avatar, Democrats must move in a bolder direction, embracing egalitarian policies that benefit the population — like progressive taxation, Medicare for All, and a Green New Deal.

So yes, celebrate Trump’s loss, celebrate the repudiation of authoritarianism, celebrate Kamala Harris’s historic rise to the vice presidency. But do not grow complacent. In the current political climate, the threat of fascism is never far away.

This post appears on rabble.ca.

Globe and Mail Letter

Clifford Orwin argues in a Globe and Mail op-ed that both Republicans and Democrats are behaving hypocritically in their fight over filling the Supreme Court vacancy before the election. In today’s Letters section, I concisely defend the Democrats’ approach:

It does not seem like hypocrisy for U.S. Senate Democrats to invoke the same arbitrary rule on Supreme Court appointments that Republicans invoked four years ago. It is more like tit-for-tat – a one-time corrective to restore the balance that was upset in 2016.

David Taub Bancroft Vancouver

Kidney March 2020

Hello out there in Blog Land!

I realize I haven’t posted in a while, but for a change of pace I thought I’d let you know that I am participating in this year’s Kidney March, a 100 km walk to raise funds for The Kidney Foundation of Canada. The money goes towards research, organ donation initiatives, and patient services for those living with kidney disease.

Due to the pandemic, this year’s march will not look like it has in the past. Rather than congregating with hundreds of others in Alberta, I will be putting in my 100 km here at home in a physically distanced fashion. I also get more time in which to do so.

During these difficult months, kidney health is just as important as ever, which is why I would like to appeal to you, dear reader, to sponsor me on my trek. Any amount you can give is greatly appreciated. Please donate to my march by clicking here.

Thanks for reading!

Globe and Mail Letter

Today’s Globe and Mail contains a letter to the editor from yours truly (second from the bottom) in response to an op-ed criticizing those who take offence at J.K. Rowling’s misguided views on trans people. I discuss one of my pet peeves in the current “free speech” wars — namely, the conflation of condemnation with censorship.

Top 10 Films of the 2010s

I don’t really write about movies on this blog (lately I haven’t written much of anything), but with the decade coming to a close, I figure why not take a look back at a few cinematic standouts? There may be omissions (Marvel and Star Wars fans need read no further). Plus, I have yet to see some of the 2019 releases, such as Once Upon a Time in Hollywood and Jojo Rabbit, which I most eagerly anticipate. But Top 10 lists are nothing if not arbitrary. And why should I be the only one on the internet to wait until I have all the facts before hitting “Publish”?

With that, I present my timeless picks (alphabetized as always) for the 10 best films of the years 2010-2019:

Another Earth (2011)

Written by Mike Cahill and Brit Marling
Directed by Mike Cahill

A teenage girl with a promising future drunkenly causes a fatal car accident. At the same time, a heretofore unknown twin Earth is discovered orbiting the Sun. This sci-fi drama explores the protagonist’s guilt and regret in the years that follow, and ruminates on the cosmic possibility of a second chance.

The Cabin in the Woods (2011)

Written by Joss Whedon and Drew Goddard
Directed by Drew Goddard

I’m not sure who would get more of a kick out of this — those who love horror movies or those who hate them. (Personally, I’m right down the middle.) In any case, this satire about sexy college kids attacked by hillbilly zombies deconstructs horror tropes by having the action manipulated by technicians in an underground bunker. Lovecraftian chaos ensues.

The Double (2013)

Written by Richard Ayoade and Avi Korine
Directed by Richard Ayoade

Adapted from the novella by Fyodor Dostoevsky, this stylishly dark absurdist comedy pits one man against his much more confident and successful doppelganger.

Get Out (2017)

Written and directed by Jordan Peele

No Top 10 list is complete without this one. A Black man is invited by his white girlfriend to meet her family. That’s where the horror begins. What follows is an unsettling allegory that examines racial injustice with Kubrickian attention to detail.

Leave No Trace (2018)

Written by Debra Granik and Anne Rosellini
Directed by Debra Granik

After living off the grid for years, a father and daughter are forced into an alienating world of social services. Every word in this understated drama speaks volumes. Elegant symbolism abounds.

Melancholia (2011)

Written and directed by Lars von Trier

In this visually stunning downer, a woman’s severe depression, compounded by other people’s lack of empathy, ruins her wedding reception and sabotages her new marriage. Meanwhile, a gigantic rogue planet enters the solar system, threatening to destroy the Earth and everything on it … because metaphors! It is worth noting that the filmmaker has a history of highly problematic statements and behaviours, all of which need to be addressed.

mother! (2017)

Written and directed by Darren Aronofsky

Though it polarized both critics and audiences, this surreal biblical allegory about a poet and his wife living alone in a great big house is wonderfully acted and explores important environmental themes. This was kind of marketed as a horror movie, but don’t be fooled — it’s so much weirder than that.

Ruby Sparks (2012)

Written by Zoe Kazan
Directed by Jonathan Dayton and Valerie Faris

A young writer falls in love with a character he created, then is shocked to find her alive and present in his home. Part rom-com, part fantasy, this variation on the Pygmalion myth injects a feminist ethos into its story and gently critiques the lazy misogyny of male writers.

Three Billboards Outside Ebbing, Missouri (2017)

Written and directed by Martin McDonagh

Following the unsolved rape and murder of her daughter, a mother erects a trio of billboards to put pressure on the town’s police chief. A master class is pacing, this movie is unexpectedly funny, albeit uncomfortably so.

Wild Tales (2014)

Written and directed by Damián Szifron

This Argentine anthology film is composed of six distinct shorts, each one presenting violent revenge in a darkly comic fashion. Highlights include homicide by plane crash, a Jewish wedding gone awry, and defecation on a windshield.

Honourable mentions: All About Nina (2018), Appropriate Behavior (2014), Birdman or (The Unexpected Virtue of Ignorance) (2014), Bridesmaids (2011), Incendies (2010), Inside Llewyn Davis (2013), The Lobster (2015), This Is the End (2013), Upstream Color (2013), What We Do in the Shadows (2014)